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Ronan, and Karen Zukowski\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eEXHIBITION SCHEDULE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBrandywine River Museum of Art, Chadds Ford, PA\u003c\/b\u003e\u003cbr\u003e(06\/22\/19–09\/15\/19)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePortland Museum of Art, ME\u003c\/b\u003e\u003cbr\u003e(10\/02\/19–01\/12\/20)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTaft Museum of Art, Cincinnati\u003c\/b\u003e\u003cbr\u003e(02\/08\/20–05\/03\/20)\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2019-06-25T00:00:00-04:00\"\u003eJune 25, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e216 pages, 9 3\/4 x 11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e158 color illus.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePB-with Flaps\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":27925851275287,"sku":"PMAC43680","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/6cdabe2b337103ed47b3c3eb499a9a09_1.jpg?v=1741114442"},{"product_id":"homer-remington","title":"Homer-Remington","description":"\u003cdiv class=\"book-sections\"\u003e\n\u003csection class=\"book-description\"\u003e\n\u003cdiv\u003eWinslow Homer (1836–1910) and Frederic Remington (1861–1909) represent a distinct artistic strain of the American mythos: both were celebrated in their day as homegrown, self-taught artists whose work offered a vision of American identity rooted in self-reliance, vigor, and a deep connection to the outdoors. 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An extensive chronology traces the artists’ careers and lifetimes, and, finally, an introduction by critic Adam Gopnik situates them within the long, empirical tradition in American art, observing that “seeing them together, we see the shape of our own self-making and, with it, the enduring wisdom of our own self-doubt.”\u003cbr\u003e  \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eMargaret C. Adler\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis curator at the Amon Carter Museum of American Art.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJennifer R. Henneman\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis associate curator at the Petrie Institute of Western American Art at the Denver Art Museum.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDiana J. Greenwold\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis Curator of American Art at the Portland Museum of Art.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eClaire M. Barry\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis director of conservation, and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter Van de Moortel\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis assistant conservator, both at the Kimbell Art Museum.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdam Gopnik\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eis a writer, essayist, critic, and staff writer for the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew Yorker\u003c\/i\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThomas Brent Smith\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis director of the Petrie Institute of Western American Art at the Denver Art Museum.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eEXHIBITION SCHEDULE\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAs \u003cem\u003eNatural Forces: \u003c\/em\u003e\u003cem\u003eWinslow Homer and Frederic Remington\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDenver Art Museum\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAs \u003cem\u003eMythmakers: The Art of \u003c\/em\u003e\u003cem\u003eWinslow Homer and Frederic Remington\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePortland Museum of Art\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e(September 25, 2020-November 29, 2020)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAmon Carter Museum of American Art, Fort Worth\u003c\/b\u003e\u003cbr\u003e(December 22, 2020–February 28, 2021\u003cstrong data-mce-fragment=\"1\"\u003e)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCloth\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e224 pages,  9 1\/2 x 11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e179 color illus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"media-box\"\u003e\n\u003csection class=\"book-media\"\u003e\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":33512763195436,"sku":"9780300246100","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/197f45c119ed9fe01fff1f51b1e9a0f6_1.jpg?v=1741114443"},{"product_id":"carrie-moyer-and-sheila-pepe-tabernacles-for-trying-times","title":"Carrie Moyer and Sheila Pepe: Tabernacles for Trying Times","description":"\u003cp\u003eSculptor Sheila Pepe and painter Carrie Moyer have achieved international acclaim through abstract works that are rich with color and materiality and informed by feminist politics. 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This site-specific work is reflected in the catalogue through gorgeous photography of the fully installed exhibition.\u003c\/p\u003e\n\u003cp\u003eAlong with full-color reproductions of the entire exhibition checklist, Jaime DeSimone, the PMA Associate Curator of Contemporary Art, offers an introduction and six essays, as well as a lengthy interview with Pepe and Moyer. The words and images couple to provide a marvelous overview of these two vital contemporary artists and this timely exhibition.\u003c\/p\u003e\n\u003cp\u003eFull color. 89 pages.\u003c\/p\u003e\n\u003cp\u003eSmyth Sewn \/ Case Bound with exposed board cover and spine.\u003c\/p\u003e\n\u003cp\u003eFoil stamped cover.\u003c\/p\u003e\n\u003cp\u003eCarrie Moyer and Sheila Pepe: Tabernacles for Trying Times opened at the PMA on February \u003cspan\u003e7, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisit the PMA Vimeo page for an Art at Home conversation with artists Sheila Pepe and Carrie Moyer. 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