{"title":"OrderlyEmails - Recommended Products","description":"\u003cp\u003eThis collection is used by the OrderlyEmails app, to make product recommendations in your notification emails, which automatically update over time.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThis service is currenty provided for FREE, with any theme purchase.\u003c\/li\u003e\n\u003cli\u003eRecommended products shown in your email are \u003cb\u003eautomatically\u003c\/b\u003e updated every 4 hours, to match this collection.\u003c\/li\u003e\n\u003cli\u003eBy default, your Best-Selling products (that are in stock \u0026amp; not already purchased) will be recommended.\u003c\/li\u003e\n\u003cli\u003eYou can modify the rules below to change which products are recommended. Products at the top of the list are more likely to be shown.\u003c\/li\u003e\n\u003cli\u003eTo enable\/disable recommendations in your emails, login to the OrderlyEmails app (Shopify Admin -\u0026gt; Apps) and add the \"Recommended products\" section to an email in the editor.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003ci\u003eNote: This collection is \"hidden\", it is not be visible on your website.\u003c\/i\u003e\u003c\/p\u003e","products":[{"product_id":"weatherbeaten-1894-by-winslow-homer-notecard","title":"Weatherbeaten, 1894 by Winslow Homer Notecard","description":"\u003cp\u003eAvailable as a 4 x 6 in. postcard and as a 5 x 7 in. note card. Painted on the shore of Maine, outside his studio at Prouts Neck.\u003c\/p\u003e\n\u003cdiv id=\"CHAR(34)creditCHAR(34)\"\u003e\n\u003cp\u003eArtist: Winslow Homer, United States (1836-1910). Oil on canvas.\u003c\/p\u003e\n\u003cp\u003ePortland Museum of Art, Maine. 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C. Wyeth: New Perspectives","description":"\u003cp\u003e\u003cb\u003eA fresh and surprising overview of N. C. Wyeth’s career that considers the full range of the multifaceted artist’s oeuvre\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"book-sections\"\u003e\n\u003csection class=\"book-description\"\u003e\n\u003cdiv\u003eN. C. Wyeth (1882–1945) was widely renowned for his iconic images of characters such as King Arthur, Robin Hood, and Robinson Crusoe that were reproduced as illustrations for books and magazines. The patriarch of the Wyeth family, father of Andrew Wyeth and grandfather of Jamie, he was also an artist with a broad purview whose work includes impressionist views of the Pennsylvania countryside and 1930s modernist interpretations of Maine coastal scenes.\u003cbr\u003e  \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eJessica May\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis the deputy director and Robert and Elizabeth Nanovic Chief Curator at the Portland Museum of Art, Maine.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristine B. Podmaniczky\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis curator of the N. C. Wyeth Collections and Historic Properties at the Brandywine River Museum of Art.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eContributions by D. B. Dowd, David M. Lubin, Kristine K. Ronan, and Karen Zukowski\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eEXHIBITION SCHEDULE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBrandywine River Museum of Art, Chadds Ford, PA\u003c\/b\u003e\u003cbr\u003e(06\/22\/19–09\/15\/19)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePortland Museum of Art, ME\u003c\/b\u003e\u003cbr\u003e(10\/02\/19–01\/12\/20)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTaft Museum of Art, Cincinnati\u003c\/b\u003e\u003cbr\u003e(02\/08\/20–05\/03\/20)\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2019-06-25T00:00:00-04:00\"\u003eJune 25, 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e216 pages, 9 3\/4 x 11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e158 color illus.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePB-with Flaps\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":27925851275287,"sku":"PMAC43680","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/6cdabe2b337103ed47b3c3eb499a9a09_1.jpg?v=1741114442"},{"product_id":"homer-remington","title":"Homer-Remington","description":"\u003cdiv class=\"book-sections\"\u003e\n\u003csection class=\"book-description\"\u003e\n\u003cdiv\u003eWinslow Homer (1836–1910) and Frederic Remington (1861–1909) represent a distinct artistic strain of the American mythos: both were celebrated in their day as homegrown, self-taught artists whose work offered a vision of American identity rooted in self-reliance, vigor, and a deep connection to the outdoors. This groundbreaking book is the first to consider the two artists together, revealing unexpected resonances between their artistic themes, careers, techniques, and lives. The publication highlights their formative years as war correspondents, their portrayals of adventure and masculinity, and their bold experimentation with different media.\u003cbr\u003e \u003cbr\u003eThese pages showcase seventy-eight illustrations, paintings, sculptures, and watercolors by Homer and Remington—a number of which rank among the great works of American art. Four essays address the surprising similarities and shared experiences between the two contemporaries, and a fifth essay on their techniques, the first of its kind, illuminates their creative practices. An extensive chronology traces the artists’ careers and lifetimes, and, finally, an introduction by critic Adam Gopnik situates them within the long, empirical tradition in American art, observing that “seeing them together, we see the shape of our own self-making and, with it, the enduring wisdom of our own self-doubt.”\u003cbr\u003e  \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eMargaret C. Adler\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis curator at the Amon Carter Museum of American Art.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJennifer R. Henneman\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis associate curator at the Petrie Institute of Western American Art at the Denver Art Museum.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDiana J. Greenwold\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis Curator of American Art at the Portland Museum of Art.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eClaire M. Barry\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis director of conservation, and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter Van de Moortel\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis assistant conservator, both at the Kimbell Art Museum.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdam Gopnik\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eis a writer, essayist, critic, and staff writer for the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew Yorker\u003c\/i\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThomas Brent Smith\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis director of the Petrie Institute of Western American Art at the Denver Art Museum.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cb\u003eEXHIBITION SCHEDULE\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAs \u003cem\u003eNatural Forces: \u003c\/em\u003e\u003cem\u003eWinslow Homer and Frederic Remington\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDenver Art Museum\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAs \u003cem\u003eMythmakers: The Art of \u003c\/em\u003e\u003cem\u003eWinslow Homer and Frederic Remington\u003c\/em\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePortland Museum of Art\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e(September 25, 2020-November 29, 2020)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAmon Carter Museum of American Art, Fort Worth\u003c\/b\u003e\u003cbr\u003e(December 22, 2020–February 28, 2021\u003cstrong data-mce-fragment=\"1\"\u003e)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCloth\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e224 pages,  9 1\/2 x 11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e179 color illus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"media-box\"\u003e\n\u003csection class=\"book-media\"\u003e\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":33512763195436,"sku":"9780300246100","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/197f45c119ed9fe01fff1f51b1e9a0f6_1.jpg?v=1741114443"},{"product_id":"carrie-moyer-and-sheila-pepe-tabernacles-for-trying-times","title":"Carrie Moyer and Sheila Pepe: Tabernacles for Trying Times","description":"\u003cp\u003eSculptor Sheila Pepe and painter Carrie Moyer have achieved international acclaim through abstract works that are rich with color and materiality and informed by feminist politics. These qualities are displayed in their full splendor in Carrie Moyer and Sheila Pepe: Tabernacles for Trying Times—the first major museum exhibition to explore both the individual practices and collaborative works of this married artist couple—and in this unique and exquisitely designed exhibition catalogue.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTabernacles for Trying Times reimagines a familiar form of religious furniture—the tabernacle—as a symbolic location for cultural values such as justice, equality, and knowledge. Pepe and Moyer embrace and expand these values in this exhibition, using representations of the tabernacle to create spaces for community and dialogue. Building on this idea, the artists collaborated on a site-specific work, Parlor for the People, wherein the conceptual tabernacle becomes a real-world forum. This site-specific work is reflected in the catalogue through gorgeous photography of the fully installed exhibition.\u003c\/p\u003e\n\u003cp\u003eAlong with full-color reproductions of the entire exhibition checklist, Jaime DeSimone, the PMA Associate Curator of Contemporary Art, offers an introduction and six essays, as well as a lengthy interview with Pepe and Moyer. The words and images couple to provide a marvelous overview of these two vital contemporary artists and this timely exhibition.\u003c\/p\u003e\n\u003cp\u003eFull color. 89 pages.\u003c\/p\u003e\n\u003cp\u003eSmyth Sewn \/ Case Bound with exposed board cover and spine.\u003c\/p\u003e\n\u003cp\u003eFoil stamped cover.\u003c\/p\u003e\n\u003cp\u003eCarrie Moyer and Sheila Pepe: Tabernacles for Trying Times opened at the PMA on February \u003cspan\u003e7, 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisit the PMA Vimeo page for an Art at Home conversation with artists Sheila Pepe and Carrie Moyer. While you're there, don't miss out on the opportunity to take a virtual tour of \"Tabernacles for Trying Times\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/vimeo.com\/406333650\"\u003ehttps:\/\/vimeo.com\/406333650\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 class=\"_3vbdr sc-dfVpRl jZZncJ\" format=\"dark\"\u003e\u003cspan class=\"-KXLs\"\u003e\u003c\/span\u003e\u003c\/h1\u003e","brand":"Penmor","offers":[{"title":"Default Title","offer_id":34550993322150,"sku":"PMACTabernacles","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/92514938_10156782796840876_1938542508480921600_o.jpg?v=1741114447"},{"product_id":"people-like-us-2018-by-jeffrey-gibson-notecard","title":"PEOPLE LIKE US, 2018 by Jeffrey Gibson Notecard","description":"\u003cp\u003e5 x 7 in. note card\u003c\/p\u003e\n\u003cdiv id=\"CHAR(34)creditCHAR(34)\"\u003e\n\u003cp\u003eArtist: Jeffrey Gibson, United States, born 1972.  \u003cspan\u003eGlass and plastic beads, tin, copper and gold-finished jingles, artificial sinew, quartz crystal, silver-coated copper wire, druzy crystal, nylon thread, nylon fringe, acrylic felt, acrylic paint, repurposed wool blanket, recycled jersey stuffing, rawhide. 60 1\/2 x 24 1\/2 x 14 inches.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePortland Museum of Art, Maine.  Gift of Crewe Foundation and Family, 2019.13\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Popcorn Movie Poster Company, LLC","offers":[{"title":"Default Title","offer_id":34828795183270,"sku":"PMA336","price":3.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/fa74uzzvk3cmpmagkqmx.jpg?v=1741114465"},{"product_id":"dog-at-the-door-1971-by-fairfield-porter-notecard","title":"Dog at the Door, 1971 by Fairfield Porter Notecard","description":"\u003cp\u003e5 x 7 in. note card\u003c\/p\u003e\n\u003cdiv id=\"CHAR(34)creditCHAR(34)\"\u003e\n\u003cp\u003eArtist: \u003cspan class=\"itemTitle\"\u003eFairfield Porter, \u003c\/span\u003eUnited States, 1907 - 1975. Lithograph on paper.\u003c\/p\u003e\n\u003cp\u003ePortland Museum of Art, Maine.  Gift of Mr. and Mrs. Samuel Dorsky, 1973.41\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Popcorn Movie Poster Company, LLC","offers":[{"title":"Default Title","offer_id":34829104283814,"sku":"PMA230","price":3.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/dlhkxzqeweybfxx7rjbq.jpg?v=1741114466"},{"product_id":"harbor-at-great-spruce-head-island-maine-1961-by-fairfield-porter-notecard","title":"Harbor at Great Spruce Head Island, Maine, 1961 by Fairfield Porter Notecard","description":"\u003cp\u003e5 x 7 in. note card\u003c\/p\u003e\n\u003cdiv id=\"CHAR(34)creditCHAR(34)\"\u003e\n\u003cp\u003eArtist: \u003cspan class=\"itemTitle\"\u003eFairfield Porter, \u003c\/span\u003eUnited States, 1907 - 1975. 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