{"title":"Non PMA Catalogues","description":"","products":[{"product_id":"treasures-of-british-art-1400-2000-the-berger-collection","title":"Treasures of British Art 1400-2000: The Berger Collection","description":"\u003cp\u003eEnhance your knowledge about British art and history with \u003cem\u003eTreasures of British Art 1400-2000: The Berger Collection, \u003c\/em\u003ethe expansive catalogue that accompanies the major exhibition of the same name. Kathleen Stuart, curator of the Berger Collection of British Art at the Denver Art Museum, wrote extensive essays on the artists and subjects of all 50 of the works in the exhibition, which are also all represented in full-color plates. This additional context will let you see the exhibition with new eyes, and the catalogue will help you revisit it for years to come.\u003c\/p\u003e\n\u003cp\u003eCloth, 120 pages.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Denver Art Museum","offers":[{"title":"Default Title","offer_id":33844843282476,"sku":"DEN38923-ahist","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/berger-thb.jpg?v=1741114428"},{"product_id":"clarence-h-white-and-his-world-the-art-and-craft-of-photography-1895-1925-sale","title":"Clarence H. White and His World: \u2028The Art and Craft of Photography, 1895–1925 Sale","description":"\u003cp\u003e\u003cem\u003eClarence H. White and His World:\u003c\/em\u003e\u003cem\u003e The Art and Craft of Photography, 1895–1925 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBy Anne McCauley with contributions by Peter C. Bunnell, Verna Posever Curtis, Perrin M. Lathrop, Adrienne Lundgren, Barbara L. Michaels, Ying Sze Pek, and Caitlin Ryan\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eClarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era.\u003cbr\u003e  \u003cbr\u003e \u003cem\u003eClarence H. White and His World\u003c\/em\u003e begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClarence H. White and His World:\u003c\/em\u003e \u003cem\u003eThe Art and Craft of Photography, 1895–1925 \u003c\/em\u003eexhibits at the PMA from June 22, 2018, through September 16, 2018\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCloth\u003c\/p\u003e\n\u003cp\u003e408 pages, 10.25 x 11.625 inches\u003cbr\u003e 346 color + b\/w illus.\u003c\/p\u003e","brand":"Princeton University Art Museum","offers":[{"title":"Default Title","offer_id":12221031284759,"sku":"PAM29080","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/white_catalogue_cover.jpg?v=1741114444"},{"product_id":"todd-webb-in-africa-outside-the-frame-aimee-bessire-erin-hyde-nolan","title":"Todd Webb in Africa Outside the Frame Aimée Bessire, Erin Hyde Nolan","description":"\u003csection class=\"content\"\u003e\n\u003csection class=\"content\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cem data-mce-fragment=\"1\"\u003ePhotographic journey by one of the twentieth century’s great photographers through eight African countries on the cusp of independence post WWII.\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/section\u003e\n\u003csection class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTodd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that brought him to eight African countries.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"toggled description-text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia, and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately fifteen hundred color negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eTodd Webb in Africa\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eincludes over 150 striking color photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Included essays engage the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eContributors\u003c\/h2\u003e\n\u003cdiv class=\"toggled\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAimée Bessire is an affiliated scholar who teaches African art history and cultural studies at Bates College.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eErin Hyde Nolan\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a visiting assistant professor at Maine College of Art, where she teaches the history of photography, and visual culture, and Islamic art. She was the manager of the Todd Webb Archive from 2010 to 2015.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul class=\"unstyled\"\u003e\n\u003cli\u003e\u003cb\u003eCloth\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e256\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003c\/section\u003e\n\u003csection class=\"content\"\u003e\u003c\/section\u003e","brand":"W.W. Norton \u0026 Company Inc","offers":[{"title":"Default Title","offer_id":43141493260510,"sku":"WWN45393","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/products\/9780500545393_300.jpg?v=1741114875"},{"product_id":"fragments-of-epic-memory","title":"Fragments of Epic Memory","description":"\u003cp class=\"catanno\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEdited with introduction by Julie Crooks. Text by Andil Gosine, Annie Paul, Barbara Paca, Christian Campbell, Dominique Fontaine, Emily Cluett, Marsha Pearce, Mary Wells, Melanie Newton, O'Neil Lawrence.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"redstrong\" data-mce-fragment=\"1\"\u003eNew ways of understanding Caribbean visual culture, from historical photographs following emancipation to contemporary transnational perspectives, on the occasion of a major exhibition at the Art Gallery of Ontario, Canada\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnchored by an extensive selection from the world-class Montgomery Collection of Caribbean Photographs at the Art Gallery of Ontario,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFragments of Epic Memory\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esituates a range of prints, postcards, daguerreotypes and albums from the period just after emancipation in 1838 within a broader context of visual culture in the Caribbean.\u003cbr data-mce-fragment=\"1\"\u003eThis critical volume includes works by Caribbean artists such as Wifredo Lam from Cuba, and Sir Frank Bowling and Aubrey Williams from Guyana—who represent the first generation of migrant modernist artists—alongside 21st-century artists such as Paul Anthony Smith from Jamaica (based in the US), Zak Ové from Britain (of Trinidadian heritage), Nadia Huggins from Trinidad (based in St. Vincent) and Sandra Brewster from Canada (of Guyanese heritage), among others. Their works, along with texts by prominent writers of Caribbean descent, serve as counterpoints to the historical photographs and the violence of the imperial project, constituting a conceptual generational bridge across history, geography, time and space.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e10.25 x 10.25 in. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e 232 pgs  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e100 color \/ 50 duotone.\u003c\/span\u003e\u003c\/p\u003e","brand":"Art Gallery of Ontario","offers":[{"title":"Default Title","offer_id":44195493904606,"sku":"DAP10126","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0153\/8133\/files\/fragments-of-epic-memory-66.jpg?v=1741114960"}],"url":"https:\/\/store.portlandmuseum.org\/collections\/non-pma-catalogues.oembed","provider":"PMA Store at the Portland Museum of Art, Maine","version":"1.0","type":"link"}